Ancient Greek comedy play: 'THE BIRDS' by Aristophanes [414 BC]
{Found out about this Play, when checking the Etymology of "Cloud Cuckoo Land":
It is Loan translation of Greek Nephelokokkygia, from nephele (cloud) + kokkux (cuckoo). The word was coined in The Birds, a comedy by Athenian playwright Aristophanes (c. 450-388 BCE).Nephelokokkygia was the name of a city in the sky, to be built by the birds in collaboration with some Athenians.
It refers to an unrealistically idealistic state where everything is perfect. ("You're living in Cloud Cuckoo Land.") It hints that the person referred to is naïve, unaware of reality or deranged in holding such an optimistic belief.
}
The other side of the Amphora from 625BC,
depicting the the great Greek warrior, Achilles.
(Played by Brad Pitt in the movie Troy!, taking revenge of Hector in this scene;)
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The Birds (Greek: Ὄρνιθες Ornithes) is a comedy by the Ancient Greek playwright Aristophanes. It was performed in 414 BCE at the City Dionysia where it won second prize. It has been acclaimed by modern critics as a perfectly realized fantasy remarkable for its mimicry of birds and for the gaiety of its songs.
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Quick overview: Pisthetaerus, a middle-aged Athenian, persuades the world's birds to create a new city in the sky, thereby gaining control over all communications between men and gods. He is miraculously transformed into a bird-like figure and, with the help of his friends, the birds, and with advice from Prometheus, he soon replaces Zeus as the pre-eminent power in the cosmos.
Summary: The play begins with two middle-aged men stumbling across a hillside wilderness, guided by a pet crow and a pet jackdaw. One of them advises the audience that they are fed up with life in Athens, where people do nothing all day but argue over laws, and they are looking for Tereus, a king who was once metamorphosed into the Hoopoe, for they believe he might help them find a better life somewhere else.
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{Note: EPOPS the bird is one main character. Latin/scientific name of Hoopoe is 'Upupa Epops'. Upupa refers to the common call of the bird, "OopOopOop", and Epops might have been taken from its Greek name! ;) }
The Scene, in which "The Chorus of Birds" is addressing the audience:..
The birds are completely won over and urge the Athenians to lead them in their war against the usurping gods. The clever one then introduces himself as Pisthetaerus (which can be translated to mean "Mr. Trusting"/Trustyfriend) and his companion is introduced as Euelpides (which can be translated to mean "Mr. Hopeful"/Goodhope). They retire to the Hoopoe's bower to chew on a magical root that will transform them into birds. Meanwhile the Nightingale emerges from her hiding place and reveals herself as an enchantingly feminine figure. She presides over the Chorus of birds while they address the audience in a conventional parabasis:
[The following text, part of the play script which I found the most interesting,
is taken from http://classics.mit.edu/Aristophanes/birds.html ]
EPOPS
Let us go in.
PITHETAERUS
Lead the way, and may success attend us.
EPOPS goes into the thicket, followed by PITHETAERUS and EUELPIDES.
CHORUS singing
Lovable golden bird, whom I cherish above all others, you, whom I associate with all my songs, nightingale, you have come, you have come, to show yourself to me and to charm me with your notes. Come, you, who play spring melodies upon the harmonious flute, lead off our anapests.
The CHORUS turns and faces the audience.
LEADER OF THE CHORUS
Weak mortals, chained to the earth, creatures of clay as frail as the foliage of the woods, you unfortunate race, whose life is but darkness, as unreal as a shadow, the illusion of a dream, hearken to us, who are immortal beings, ethereal, ever young and occupied with eternal thoughts, for we shall teach you about all celestial matters; you shall know thoroughly what is the nature of the birds, what the origin of the gods, of the rivers, of Erebus, and Chaos; thanks to us, even Prodicus will envy you your knowledge.
At the beginning there was only Chaos, Night, dark Erebus, and deep Tartarus. Earth, the air and heaven had no existence. Firstly, black-winged Night laid a germless egg in the bosom of the infinite deeps of Erebus, and from this, after the revolution of long ages, sprang the graceful Eros with his glittering golden wings, swift as the whirlwinds of the tempest. He mated in deep Tartarus with dark Chaos, winged like himself, and thus hatched forth our race, which was the first to see the light. That of the Immortals did not exist until Eros had brought together all the ingredients of the world, and from their marriage Heaven, Ocean, Earth and the imperishablerace of blessed gods sprang into being. Thus our origin is very much older than that of the dwellers in Olympus. We are the offspring of Eros; there are a thousand proofs to show it. We have wings and we lend assistance to lovers. How many handsome youths, who had sworn to remain insensible, have opened their thighs because of our power and have yielded themselves to their lovers when almost at the end of their youth, being led away by the gift of a quail, a waterfowl, a goose, or a cock.
And what important services do not the birds render to mortals! First of all, they mark the seasons for them, springtime, winter, and autumn. Does the screaming crane migrate to Libya,-it warns the husbandman to sow, the pilot to take his ease beside his tiller hung up in his dwelling, and Orestes to weave a tunic, so that the rigorous cold may not drive him any more to strip other folk. When the kite reappears, he tells of the return of spring and of the period when the fleece of the sheep must be clipped. Is the swallow in sight? All hasten to sell their warm tunic and to buy some light clothing. We are your Ammon, Delphi, Dodona, your Phoebus Apollo. Before undertaking anything, whether a business transaction, a marriage, or the purchase of food, you consult the birds by reading the omens, and you give this name of omen to all signs that tell of the future. With you a word is an omen, you call a sneeze an omen, a meeting an omen, an unknown sound an omen, a slave or an ass an omen. Is it not clear that we are a prophetic Apollo to you?
More and more rapidly from here on.
If you recognize us as gods, we shall be your divining Muses, through us you will know the winds and the seasons, summer, winter, and the temperate months. We shall not withdraw ourselves to the highest clouds like Zeus, but shall be among you and shall give to you and to your children and the children of your children, health and wealth, long life, peace, youth, laughter, songs and feasts; in short, you will all be so well off, that you will be weary and cloyed with enjoyment.
FIRST SEMI-CHORUS singing
Oh, rustic Muse of such varied note, tiotiotiotiotiotinx, I sing with you in the groves and on the mountain tops, tiotiotiotinx. I poured forth sacred strains from my golden throat in honour of the god Pan, tiotiotiotinx, from the top of the thickly leaved ash, and my voice mingles with the mighty choirs who extol Cybele on the mountain tops, totototototototototinx. 'Tis to our concerts that Phrynichus comes to pillage like a bee the ambrosia of his songs, the sweetness of which so charms the ear, tiotiotiotinx.
LEADER OF FIRST SEMI-CHORUS
If there is one of you spectators who wishes to spend the rest of his life quietly among the birds, let him come to us. All that is disgraceful and forbidden by law on earth is on the contrary honourable among us, the birds. For instance, among you it's a crime to beat your father, but with us it's an estimable deed; it's considered fine to run straight at your father and hit him, saying, "Come, lift your spur if you want to fight." The runaway slave, whom you brand, is only a spotted francolin with us. Are you Phrygian like Spintharus? Among us you would be the Phrygian bird, the goldfinch, of the race of Philemon. Are you a slave and a Carian likeExecestides? Among us you can create yourself fore-fathers; you can always find relations. Does the son of Pisias want to betray the gates of the city to the foe? Let him become a partridge, the fitting offspring of his father; among us there is no shame in escaping as cleverly as a partridge.
SECOND SEMI-CHORUS singing
So the swans on the banks of the Hebrus, tiotiotiotiotiotinx, mingle their voices to serenade Apollo, tiotiotiotinx, flapping their wings the while, tiotiotiotinx; their notes reach beyond the clouds of heaven; they startle the various tribes of the beasts; a windles sky calms the waves, totototototototototinx; all Olympus resounds, and astonishment seizes its rulers; the Olympian graces and Muses cry aloud the strain, tiotiotiotinx.
LEADER OF SECOND SEMI-CHORUS
There is nothing more useful nor more pleasant than to have wings. To begin with, just let us suppose a spectator to be dying withhunger and to be weary of the choruses of the tragic poets; if he were winged, he would fly off, go home to dine and come back with his stomach filled. Some Patroclides, needing to take a crap, would not have to spill it out on his cloak, but could fly off, satisfy his requirements, let a few farts and, having recovered his breath, return. If one of you, it matters not who, had adulterous relations and saw the husband of his mistress in the seats of the senators, he might stretch his wings, fly to her, and, having laid her, resume his place. Is it not the most priceless gift of all, to be winged? Look at Diitrephes! His wings were only wicker-work ones, and yet he got himself chosen Phylarch and then Hipparch; from being nobody, he has risen to be famous; he's now the finest gilded cock of histribe.
PITHETAERUS and EUELPIDES return; they now have wings.
----x----
Photos of Roman mosaic flooring with birds, from Italica (founded in 206BC) near Seville, Spain, taken during the 2007 trip
Ancient Roman Mosaic floor, in the "Domus of Birds" (House of Birds),
Italica, north of modern day Seville, In Spain's Andalusia region.
The city of Italica was founded in 206 BC by the Romans.
Italica is the birth place of Roman Emperors Trajan[AD 53-117], and (his adopted son) Hadrian.
Domus of Birds:
http://www.spanisharts.com/ |
Labels: Ancient Greece, Birds, Greek Theatre, HISTORY, Theatre
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